In past(or)already, Moya uses childhood photographs as a resource to explore process, materials and personal meaning. These images, including the young artist on a swingset in her grandmother's backyard, or this area's ubiquitous cornfields, were scanned, cut and spliced into an almost quilt-like assemblage. It exists as an art object, with elements converted into 16 mm film and then digitized. These meticulous steps allow for a creative contemplation of both artistry and identity.
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