The second part of the N'importe Quoi series, the first being N'importe Quoi (for Brunhild), also comprises footage of Brunhild Meyer-Ferrari at her home in Montreuil, in the eastern suburbs of Paris, and at various other sites in the city, along with a set of sound recordings by Eric La Casa and music by Meyer-Ferrari. Fowler's subject, German composer Brunhild Meyer-Ferrari, moved to Paris in the late 50's and eventually married Luc Ferrari. Meyer-Ferrari produced a number of works of radio art in the 70's and 80's and has emerged as a significant composer over the past decade following her husband's passing.
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