Richard Garet's moving image work is characteristic of lavish, kinetic, color field abstractions where process, media, and the possibilities of genesis from turning the media inside out are the subject in itself. Garet is often concerned with cognitive reception of media bombardment, light, information, and one's own capacity to filter and process what's being received through vision. In this particular case Garet composed a moving image piece for Michael Waller's Lines.
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