"[An] experiment that aims to highlight the number of shots of a specific scene [from Hitchcock's Psycho] by replacing the shot of the image with several of the credit titles from the same film [...] An early work, which would be the first official of Pinent's filmography, made when he was only 16 years old, [...] Two years away from Matthias Müller's 'found footage' reference work, 'Home Stories' (1990), a key piece in the genre.
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